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Irrational musings of an old man about the art of writing

Phil (crop)PHIL FITZPATRICK

WE’RE coming up to the tail end of this year’s Crocodile Prize and I’ve started putting together the 2015 Anthology.

There’s only four weeks of the competition to go (entries close on Tuesday 30 June), so if you want to enter you need to do it now.

Apart from the opportunity to re-read some of the wonderful entries that have appeared in PNG Attitude over the last six months, the assessment and compilation process has also stirred some of the rustier cogs at the back of my brain and made me re-visit the reason for the contest and reflect on what makes a good writer.

At my age these thoughts tend to appear as irrational ramblings but, if you’ll indulge me, I’ll try to explain.

For writers, the inclination to wonder about the nature of things (aka the big picture) and to philosophise about them is compelling. This is especially as we get older and have built a store of experience to turn over, dissect and analyse.

Central to this reflection is the dilemma of our place in the universe, the nature of the existence of living things and whether these things actually matter.

The instinctive compulsion of living things to breed and reproduce and their tenacity to survive at all costs suggests there is some sort of power at work and that therein lies a reason for our existence.

In the narrower human sense, this can throw up many fascinating tangents.

If our compulsion to breed and sustain our species is all powerful, what does this say about such things as our habits and our relationships?

Let me offer an example. Logically, an inclination towards something like homosexuality doesn’t fit into such a scheme because it doesn’t result in the reproduction of the species.

In the same sense neither does celibacy among priests and shamans.

Both cases are antithetical.

On the other hand, practises like polygamy make sense because they maximise our breeding potential.  So does unfettered promiscuity among unmarried couples. 

Humans are herd animals, like many other social species, so why should we be different?  Doesn’t this also make the concept of romantic love sound silly?

All this is grist for the writer’s mill and it has been pondered for millennia.  However, it gets really interesting when you arrive at the inevitable question of why.  And does it really matter anyway?

This is where religion inevitably rears its head. The connection is unfortunately unavoidable.

Religion is a human construct designed to answer this baffling problem.  As far as I am aware dogs and cats, pigs and horses, butterflies and goldfish and garden kaukau subscribe to no form of religion.

Religion has many redeeming qualities but it also has a dark side.  Perhaps the most significant commonality of the various beliefs that subscribe to the theory of the existence of a supreme universal power is their wanton destructiveness.

Setting aside the question of the morals of a supreme being who allows such things as pain and suffering, it is indisputable that religion causes death and destruction on a massive scale and has done so since time immemorial.

The reason for this seems to be the preoccupation of its many and varied brands with power and control.  For religious adherents, power reigns supreme. We are the chosen ones and we brook no disagreement.

Putting it mildly this is not a good look.  For any thinking person the logical conclusion is that the world would be a much better place without religion.

Is that true?  Perhaps our territorial aspirations simply use religion as a convenient excuse to go to war with our neighbours to acquire land for our burgeoning populations?

And why are the rich and powerful and their aspirational followers allowed to ignore the central tenets of most religions to be humble, generous and caring and to love their neighbours as themselves. 

Instead, they are allowed to squeeze as much profit out of them no matter what pain and suffering they cause.

If you are a writer these questions should be among your constant pre-occupations.  They don’t need to be overt but they should inform what you write about.

There are lots of subtleties of course but, really, it can be all boiled down to one word – Why?

If you ask that question, even if you can’t answer it, you are a writer.

End of ramble.

Comments

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Michael Dom

Thanks again, Phil, you've still got all your marbles.

Anything that concerns the human conscience is a story, essay or poem worth writing.

Timing is important, when to tell a tale and how to tell it.

And then there's that question writers ask themselves too, why to write it?

Phil Fitzpatrick

I've been having an offstage conversation of sorts with Michael Dom about money and writing. Martyn Namorong, Dame Carol Kidu and Sil Bolkin have also added their two bob's worth.

We were worrying about whether people should write to make money as a primary motive or write simply from the love of it with no expectations of financial gain.

I maintain the latter is the best motive, otherwise we might end up simply writing trash (which the reading public seems to have a great appetite for).

Michael points out that in the first case it will invariably cost the writer and this is not really fair. Sil points out the fact that there is no such thing as a free lunch.

Both Martyn and Carol reckon they've never made any money writing but will keep doing it nevertheless.

With respect to writing about subjects like religion, especially in a place like PNG where it is a very sensitive subject and inflames people's tempers, I'd suggest that not doing so is irresponsible - if something is worth writing about, good or bad, then do it.

You may recall that, not so many years ago, Keith had a terrible job getting people to use their own names on comments and stories, not just from PNGns but also Australians. His stand was regarded with great suspicion.

But when people took the plunge they discovered that the secret police didn't come knocking on their doors. A couple of people who took objection to some stuff written about them frothed at the mouth for a while but that's all it was, froth and bubbles. (Keith keeps an eye on potentially litigious content anyway.)

That old adage about the pen being mightier than the sword has survived for a long time now.

Marlene Potoura

I write to muse, create happiness, indulge our souls in the enjoyment of human rantings/ravings.

Writing to me is a way to make sense of this life of us the 'domesticated species' and how we tune ourselves with our surroundings living or nonliving.

I always wonder. Is there good and bad religion? I don't know.

What is religion then? Can someone still be Spiritual, without being religious?

I think worship is suppose to be simple, but damn, these domesticated species have made it such a burden, making money out of it, ripping the poor, just a total mess. I don't know again.

Am I fearful to scribble these down? maybe I am. Writing is the voice of the many unspoken.

Kela Kapkora Sil Bolkin

Phil, I think, I know a lot of its dark side but I am fearful to scribble it and throw it into the light. Maybe I am caught in its tentacles. Am I a victim? Maybe, yes.

Michael Dom

Thanks for the rambling Phil - entertaining and elucidating as ever.

The Crocodile Prize is my favourite story every year - beginning, middle and the end. And when it's over we can go back and do it all again!

Oh yeah!

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